Lethal Poetry (Sonnets to Kill For)

 This is the formula I use, for my sonnets.

If you use these formulas, you have to have a set of strict rules, you can never alter, without falling into your trap, set by the sonnets.

1) You must have the same rule, about your subject, otherwise you get put in a sexual escapade, opposite your preferred role.  That's Larry Wachowski, Andy Wachowski's brother-in-law, Andy faking, out of revenge at having to make film, as an Ord Dracul, a Sumerian Overlord, Dracula.  Larry is not an Ord Dracul, but he's chosen to take lead on this project.

2) You must put in the same rule about your sexual role with your subject, otherwise you become a female crescent, a dominatrix murderer.  That's Jewell Marceau, she wet drenches months in advance of a shoot, and all her subs, even men she doesn't fancy, die of a priapism, that can't be touched.  If you are a man and manage to do this, this is Slipknot's lead singer, which is not funny.  His concept, is a Native American band, to mock the Grateful Dead cover band, Slipknot, same name.  It is not funny to him, and if it's funny to you, listen to a Slipknot song, the new version.

3) You must never break your rule of sexual attraction, otherwise the joke goes away, your trap of justice, and you will surely die.  This is James Hetfield, having conceived this, but changing his sexual attraction, since before Metallica, now having to make music about inverting a work of art to curse your lover, with 3/5th Nazi marching progression on rhythm, and Operation: Double Cross, planted by the Nazis, on Lars Ulrich's demand.  Metallica makes money, but James Hetfield, has to do Russian Mob contracts.

So here is the formula, unique to every writer.  I can provide one of mine, if you request. 

The trap, is listed below, and will be avenged, by the suitor that has harmed the subject of your piece.

Shakespeare's Sonnets (Hot Tub Time Machine):

William Shakespeare wished to be a gentleman legionary as a child, and was forced into the life of a lowly scrivener instead.  To discourage the common practice of the time, the woman art thief, he designed the sonnet, a way of destroying a whore at an overseas port that sought to steal your seed.  This trick, is also the basis of the time travel plot, of any given science fiction (or otherwise) piece of media.  

Each Sonnet, is from the perspective of the individual being read to, towards the individual reading.  If a woman intends on stealing from the man, with a feminine strategy (i.e., a natural biological imperative, impossible to avoid at the level of poetry, the simplest and most concise form of expression), she will feel raped by love, and become a lesbian.  

Using Shakespeare himself's Sonnets, or labeling the work Shakespeare's Sonnets, will make the woman believe that Shakespeare has stolen from her, from beyond time, creating a lesbian time travel delusion and the constant suggestion that Shakespeare was a thief, without particularly identifying whom; this woman is a homophobic politician by profile, giving lesbians phobic dream representations of personal nudity, however the subject of the dream will also be a lesbian (your kill)