Qureshi Propaganda (The Origin of the Ladyboy Poseur)

 

Pre-MacArthur Japanese Animation (These Sick Bootlegs That The French Made):

Japanese anime, when introduced to Japan by France, was a science.  There was a target group, a potential banzai signal for a fencer dance, and of course, a set of predicted sexual fetishes to spot where a trainee was in terms of their military skillset.  The Japanese now make this at random, because MacArthur burned everything, and established censorship rules, for art that does not do this, listed elsewhere in this guide.

But I’m French, and MacArthur, once made me poop in an unpleasant way, by sneaking around the bathroom.  That means, he wants it.

Stage A: Design a single system set, with the most easily spotted reference, as the protagonist.  Then, layer over your intended theme-set, as the reference signal outside the work, so people will know which propaganda you are speaking of.  There must be a title, a gibberish word, in the language of your choice, that is a name, of the target bracket, and a theme related to an animal, in any way that the sexual fetish is avoidant to, in the local culture of women.

Stage B: Each character, must have method correct, personality incorrect, while every organization matches this concept, but a single target organization is method correct, personality correct.  If the target organization is self, this is a fencer dance, a banzai. 

Stage C: Each set of sexual fetishes, taken from the animal theme, which may be ninjas (birds?), hotrod racers (fish?), or even track athletes (pet rocks?), has to have a self-loathing trait on a character, with a victim trait inside the banzai, unless by self, then it is a combat dominant trait.  The sexual fetishes displayed, will be the selection by the trainee that has accomodated to this culture.

Stage D: Each sexual fetish and linked accomodation, must have a single marker of symbol, for public and private identification as a pride symbol and inside as a potency signal, with the accomodation as the transmuted form, taking the animal (fetish), the theme (vehicle), and the training type (fantasy). 

Stage E: The final stage, is taking the fantasy, with the vehicle of the show, and the fetishes of characters, and arranging them in a conflict form, with the target organization, if other, as impenetrable, meaning this will make the show view another as the government, hence the soldiers will be massed to survive by employing the combined set of three, as a fighting style (fantasy will be the training, vehicle will be the camraderie, and sexual fetish will be the killing blows, with the overall reference to the name as the cadre and the reference to the anime, as the discussion piece for passed signal).  If the target organization is the protagonist organization, then each organization must be diminuitive, with the same above noumen, however the other organizations will be forced into submission in defense in the mind of the anime practicioners (this is a closed distribution, obviously), this piece for a “police action” (you have already acquired this particular region of control).  After the police action, the soldiers will self-destruct, requiring a new anime (standard propaganda) or a liquidation (permanent deployment while new soldiers, using a pacifist, non-propaganda art form, move in – the banzai survivors, marry into the local culture).

This is the entire Mongolian art set, gifted to the Japanese people in the 19th century, by the French.  The villainous French.  It originates in Islam.