Edward Furlong's Four Deaths (The Four Horsemen):
Edward Furlong, is a deeply religious actor of Puerto Rican and Caucasian blood, explaining why he was able to marry a talent agent, get into acting, and beat her, at the tender age of 15, when she was in her late 20s. He performed his work, and is now divorced, the work below, but Edward Furlong's exact romantic and sensual moves, left up to a mystery of time.
You have four works, and only four, that you will label somehow as being in the set (Edward Furlong is an actor, that's his trick, he can only make four movies his entire career, so he planned this right out, she was impressed, then he beat her up and she divorced him without taking his money, he couldn't work again, it was already labeled as him - he was 15 when he came up with this).
Each work, will combine, a different way, to create mounting scales of terror. But how, you ask me, humble reader, who hopefully is the Editor, but if it's not, then I'm in Animal Factory, probably for writing something like this guide.
You take a Horseman, from the Bible (Famine, Pestilence, War, or Death), and you place each mark on your character's eventual demise, however you like it, with no actual rhyme or reason, just whatever you want. Each time they see the movie, they will drive their father towards murdering them, in increasing scales, with each type of horse applied. But what, you ask, is this Bible, with these horses? Edward Furlong, is deeply religious, that's why he wants your father to kill you, for watching movies.
Famine: You're hungry, because you need your father's help. He makes you eat.
Pestilence: You're afraid of being murdered, so you need your father's protection. He poisons you, with medicine.
War: You're angry about your family, so you want to start a fight. He puts you in an asylum, to make you fight him.
Death: You want friends, so you join a gang, you want your father to respect you. He turns you gay, for a laugh.
These, of course, go from a scale of 1, to 4, in various combinations, with the variance narrowing as the tension builds, in various orders, of you seeing the films, and performing the actions. Each one you dodge, is your father giving you the reward from the movie, instead of the punishment. That means you didn't watch an Edward Furlong movie.
He doesn't care about money. He read the Bible. He fucked a woman in her 20s, and now, he's dying of being rich (he lives in California, the taxes are too high).
Scenario Stipulations:
Frame-Up: You frame someone, their father takes the consequence.
Family Guy: You see it with your father, he trains you to be the bad guy in the movie.
Atticus Finch: You try to frame someone, but they saw it with their father, you get the villain on you and you die.
The Bad Man: You see it, but you already have a kid, you don't report your condition.
Speak English Like Crazy: You frame someone, but they saw the movie, you become a racial stereotype.
The Matrix Scenarios: You frame someone for one of the above, leading to The Matrix.
Neo: You destroy the Machines, the frame artist's entire life.
Morpheus: You fake your way into the priesthood, and become Bobby Sands, except alive.
Cipher: You become Marv, from Sin City, and kill a priest that sponsers the idiot.
Agent Smith: You bust the bastard that did it, with the help of your kid.
The Architect: You become culturally famous for being the movie they're framing you for, that they already saw, creating a cultural epoch leading to the end of the entire culture The Architect has penned.
-- Deathnote --
Yoko Ono Chronicles: You don't even know the culture you're attempting to manipulate, you think the Four Horseman are from a Japanese anime or some stupid shit. You are the most hated thing I have ever seen, for ending the Beatles. Note: Book of Apocalypse is not only the end of a human, but a Buddhist's entire life. The Four Horsemen, end your entire culture, with your sacrifice, if you invoke them. They're Christ's little scheme. Just one, just one, all you need.
Edward Furlong wins, Japanese culture is destroyed. He's a Deathnote fan.
Cameron Monaghan Royal Academy of the Arts (Or: MC Chris Ruined My Life):
They say the arts imitate life. In fact, life is determined by art, and art, is the test of life, a necessary aid to drive it forward, to assist us in our common daily themes. On rare occasion, a man is inspired by art, to become an artist. This is the story, of Cameron Monaghan.
Cameron Monaghan, was a young statistics major, studying to be an accountant. But, he listened to mc chris, after discovering Adult Swim. Most accountants, would have been date raped by a woman, and gotten married, having a miserable life with children. But Cameron Monaghan, was not an accountant, he was a wife beater. He should've taken engineering, to steal a man's soul. Hence, we have an actor.
Cameron Monaghan, upon listening to the song, 'The Tussin', by mc chris, decided to trip Robutussin. A writer, you say? I'm afraid not, for he was a brave man, a man of the spirit of Apollo. Much like James Brown, he ventured off to his daily duties, of attending statistics class, his chosen academic field of study, and he got on the bus, just like Spike Lee told him that day, in a commercial he once saw, now his only understanding of civil rights.
A genius.
He got off on the wrong side of the bus, a true villain, and ended up in acting class, finding his mark. He then sat down, in class, trying to figure out what acting was in the first place, in the vigors of the elixir. When it came his turn to act, he stood up, seizing the role.
This boy was born for Hollywood.
He took the stage, and recited the lines, as well as he could, fearing to be caught, as he tried to figure out: "What is acting?" And this, is his secret.
As Cameron Monaghan recites his lines, in wardrobe, with his fellow cast, he tries to figure out, what acting is. That is the only sense, he can make, of the entire practice, as I try to figure out now, what is writing, making this guide.
Terry Gilliam Knows the Day the Music Died (When He Kills Gilda Radner, Donnie):
Terry Gilliam is a master of the arts. A Monty Python alumnus, his brilliance is in mastering that one dark moment, in comedy history, when Gilda Radner killed herself, because Bill Murray made a joke
about her breasts being mosquito bites, live on international television.
Terry Gilliam wishes you to remember that day, as if he was Ronald Reagan, commerating his failed Challenger mission launch to beat the Martians with his personal hand-picked crew (selected upon careful study of Dick Tracy trading cards).
First, we take a script. We analyze, the most senseless, tragic death in the script, because this is Gilda Radner. Then, we have the actor, actress, musician, lyricist, animator, voice actor, etc., study you, the arts director, since this is your sick theory, and you picked the script and the location, Funboy.
You instruct your chosen part, the Doppelganger, to posture as you, from observing and interacting with you, however with the name, costume, and the style associated with the character.
Anyone watching the movie, will go violently batshit that they are going to kill the love of the life, until they've done it, then they will go into the very same character that died, however across the entire spectrum of your films and accomplishments (that they've viewed).
Gilda Radner, the woman that wants to kill the next Gilda Radner, will die tragically, without you being involved, or the pawn being doubled (she hears about Gilda Radner, and thinks it's funny that she's dead, just like Gilda Radner thinks it's funny that another actress died, so Bill Murray wasted her. Boom.)
Arnold Schwarzenegger is a Wigger Woody Allen (Don't Do as I Do, Nazi):
Arnold Schwarzenegger, when he came to America, did not know many things, but found himself, on the precipice, of a new discovery. Schwarz, means 'white'. Negger, was a new word to many people, that sounded like 'Nigger', a racial stereotype for a black man in cultural accountrements of glitzy, glamourous ardour, the combination meaning that it had a deliberate extra layer, beyond the standard set and accessory that most people preferred. But he had an Austrian accent, that sounded, like a Nazi, from television.
People say that he won Mr. Universe contests by getting people to cheat with bad weightlifting tricks. In fact, those weightlifters, were just copying Schwarzenegger, booting themselves out of the competition by performing Wigger Woody Allens.
All one has to do, is take a character that is white, give them a Nazi tag in the form of the simplicity of the name, then place in them, a set and accessory, but on top, a colored form of 'top', as if you are placing a hat on someone, to identify their corporate brand, however as if they've designed the corporation and sell nothing: a pimp.
Anyone mimicking your role, will die, so choose carefully.
Including the actor's son, if they see the work.
Metallica Reversals of Literary Reference (Batman #1 is Labeled as Joker for a Cheat):
Metallica's technique is to take a reference to literature, cinema, or poetry, and reverse the song in consequence, to curse anyone that refers to the piece of literature in question (unless they are willing to take Slither, thinking they are Joker, actually seizing Batman #1, the reversal of Hitler and an American combat soldier, America framed as Joker, Batman framed as Hitler, framing the listener as an American soldier, Batman, who deals from the bottom of the deck).
This process is performed simply, from taking the consequence of the work (established in climax, de-established in penultimate beginning, the second breach of the poem, the charge as Lars Ulrich sees it in Nazi U-Boat logic, actually the reference to the situational comedy, the paradox, the savior of the main character in order for selection, except for St. Anger, whose entire song refers to staying out of prison, a new media experiment with modern media - the music video), and reversing it in the reference to the culture in terms of the saved figure from the literature, dooming the hero, the title consequence's character in the original work.
Example #1: The Highwayman, a poem about a straw-haired mentally ill stablehand snitching on a bandit to steal the love of his life, features a woman sacrificing herself to save the bandit. The song, Whiskey in the Jar, features a conversion to lesbianism for the woman, to save her and knight the stablehand as a police officer, to cause a psychotic break at the station for hunting a criminal that would leave a woman at risk.
Example #2: The Man Who Laughs, is about a man who is always asleep in his creative work, hence always awake in his view of Germany, an antique film about the rise of the National Socialists of Germany, the Nazis. The song, Enter Sandman, is about a man who cheats Metallica to understand the lyrics and become Batman, however he is a Nazi, not chosing Slither on the next album (Batman's real song), because he is a National Socialist, somebody who refuses faith in his own beliefs in favor of a guaranteed return, a stockbroker waging war. He is placed in a deep slumber, relying on his dreams to guide him, a Morpheus, a priest of broken plunder, in the ancient Greek tradition: a pedophile.
Example #3: Paths to Glory, is a Stanley Kubrick film about waking up from war after having served, to realize the banality of all things, having thought war glamorous from the difference to a traffic accident going to work at a grocery store, a lesson that applies to all things in life, not merely war or childhood or family. One, is about not waking up from war, having sought a dark path in terms of descending into infamy, however seeking some pursuit to release one's self from it, without becoming an artist, indicating that one censors one's own work, instead of disobeying the natural instinct to break through anxiety, and to plunder the social litanies of others who are likewise afraid of expressing themselves, becoming a commander, and then an old soldier, and finally, a retired veteran. Instead, one stays in a coma, a constant reminder of faith to the old guard, the Nazi (not the National Socialist, merely St. Ignatius, the child who chose a meek life).
Example #4: Batman #1, is a Bob Kane comic conceived by Vincent Sullivan, switching Hitler with an American GI, so Americans would be villainous on the front to defeat a German or Italian or Dutch-Japanese Antilles derivative soldier, by becoming the foe, to match the foe by offering a defeat that was recommended, capture, and instead killing them, as Batman, after posturing as Joker, themselves. Slither, commands one to seek out snakes, by enjoycing one to seek the darkness in themselves, and refuse the sun, instead taking to night, the proper message of Batman, the comic's depiction of Joker, actually the American hero, Batman: don't go looking for snakes, you might find them (if the police want to deal with Joker, they'll have to receive cards from the bottom of the deck).
Example #5: One Flew Over the Cuckoo's Nest, a movie about abuse by a college student, in efforts to punish the mentally ill for their dually criminal nature, the reason for mental illness, a criminal tendency shamed by society, the tendency shared by staff, however not the shame. The Memory Remains, is the story of the mutual tendency, however encouraging memory of the mother in the staff, not the patient, with the tragic hatred of the memory of the mother in the mentally ill, as opposed to the staff, who are entranced with the dreamy melodies and lyrics to idolize their mother, reversing the pogrom of those who are ashamed of victimizing others.
Example #6: King Arthur, the story set of tactics for the White Anglo Saxon Protestant, a group of individuals who pay taxes in British Commonwealth territory and have access to the United Kingdom media machine, rendering themselves falsely transgender by their mutual games of estate by inducing narcissistic reckless racism as a release from life, and misogynistic sexual assault as a method for tripping others in a debate. The Four Horsemen, are the story of countering them, a new kind of WASP, a Green Hornet, a rare doublefold work from any band, taking on the emblem of the most sacred hero in the 20th century to the Chinese, not a single emblem concept that would qualify as a song for "is", but rather "are", one man with four weapons, later epitomized by the Teenage Mutant Ninja turtles: leadership (two strategies), counter (a ceremonial removal of weapon of departed), posture (a poised emblem of strategy not used in endevour), and wisdom (a leaping movement of logic meant to strike the words from a foe, with a destruction of their mouth should they complain about your social politics). Leonardo, Raphel, Michaelangelo, and Donatello, united by Splinter, a police officer loyal to region, not officer's code, Shredder
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